It can record audio live from an external source and even resample - thus you can use Geist to build a beat, resample it, slice it back into individual hits, remix it with the pattern editor and take full advantage of yet another stage of automation and effects.
How does this work? Well, Geist is essentially recording in the background at all times, so you can capitalise on those spontaneous ideas that pop out while you're just messing around.Īlso new is the Sampler page, which is designed to be used on the fly. Recording in Geist is great fun and made easier by the new Retro Record functionality, which enables you to rescue rhythms you were jamming out even before you hit record. Recording patterns via a MIDI controller (or even the mouse) gives a real 'hands-on' feel and, just like Guru, Geist does a great job of capturing the subtle nuances of your groove unlike Guru, it has up to 1024 steps per pattern. It means that you're unlikely to ever run out of pads or patterns, and makes more sense than having an enormous, unmanageable interface that you have to wrestle with to access its power. Think of it as eight instances of Geist, but all accessible from one interface and triggerable as the same MIDI device. Number crunchingĢ4 patterns and a full set of 16 pads constitute an 'engine', of which there are eight.
It sounds surprisingly convincing, especially on the compressors. Overloud's Breverb algorithms have been licensed for reverb modules, while FXpansion's DCAM circuit-modelling technology has been used on some of the saturation, compression and filter modules. The internal effects sound as good - if not better - as those bundled with most DAWs, and there's no shortage of them either, with 30 to choose from. Quality mixing tools are provided at pretty much every conceivable point in the signal chain, enabling you to polish your drum mix to a fine sheen.
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